My first attempt at Needlelace was inspired by a kit called Siennese Illuminated Treasure by Alison Cole. It is a beautiful gold and stumpwork kit. There was a small amount of “Brussels stitch”, which has since become known to me as “detached buttonhole”. My version of this stitch was a disaster. Luckily, it is a very small section in this piece and is not too noticeable to someone who doesn’t know what it is supposed to look like. I hung the piece on my wall as a reminder of
I began the Cabinet of Curiosities classes put on by Thistle Threads in 2016. In the beginning, I was only interested in the stumpwork to address my deficiencies in needlelace. That all changed when I saw my first 17th century casket at the Victoria and Albert Museum. Note that these caskets are better described as small jewelry boxes. I have since had the pleasure of seeing many of the caskets in the V&A’s collection.
Through Thistle Threads, I have purchased a detailed reproduction of a typical 17th-century casket base. The outside dimensions are 11.5″ x 8″ x 8″. It has hidden compartments and drawers and doors and a lid…and everything is covered in either embroidery, silk, or marbled paper. It is a project that I will be working on for many years, but I am happy to share my progress.
Grace, the embroidery
The needlelace design incorporates a variety of silk and metal threads on linen. The original caskets were stitched by young girls – typically around 12 years old. Consequently, most had a rather whimsical nature to them. I have given mine the same feel with a variety of colors, stitches, and threads. In this way, my casket panels are perfect for trying out new ideas and threads. Such versatility makes it a joy to work on. For the viewer, there is also nearly always something new to discover.